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kathakali is a dance drama that dates
from the 17th century and usually depicts stories from Hindu
mythology. It is elaborately costumed, and performers wear complex
make-up that defines the type of characters they are portraying.
The style uses detailed mime and is accompanied by musicians
and singers who express the thoughts and words of the characters
and narrate the story. The kathakali padam, has evolved into
a distinctive style of its own.
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| The Theyyam or Theyyattam is a popular
ritual dance of North Kerala, particularly now found in the
traditional Kolathunadu, of the present Kannur and Kasargode
districts. As a living cult with centuries old traditions, ritual
and custom, it embraces almost all castes and classes of Hindu
religion in this region. The term Theyyam is a corrupt form
of daivam or God. It is a rare combination of dance and music
and reflects important features of a tribal culture. |
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| Mohini the temptress, is a recurring
character in Hindhu mythology. Attom means dance. It is seductive
dance performed by women, sensuous in its appeal. In technique
Mohiniyattom lies somewhere between Kathakali and Bharathanatyam,
Lyrical in the extreme keynote is coquetry. The symmetrical
patterns of emotion flow in balanced nuances with smooth footwork,
somewhat quickened body movements and special music. |
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| Thullal is a classical solo dance
form, of Kerela, which comes closer to contemporary life, and
is marked for its simplicity, wit and humour. Staged during
temple festivals, the performer explicates the verses through
expressive gestures. The themes are based on mythology. This
satiric art form was introduced in the18th century by the renowned
poet Kunchan Nambiar. There are three related forms of Thullal
- Ottanthullal , Seethankanthullal and Parayanthullal. |
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| Instead of single Chakiyar a number
of performers get together and stage dance-drama. That is why
it is called Koodiyattom, literally "dancing together"
(The beginnings of Kerala dramaturgy can be traced to this dance).
Both men and women partake in this performance. Abhinaya is
the most important element in Koodiyattom. The texts are always
in Sanskrit and the performance is a prolonged affair. It may
take anything from a few days to a number of weeks. |
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The kalam is a unique drawing also
called dhulee chithram or powder drawing. The artist uses the
floor as his canvas. The chorus sings hymns in praise of the
deitie. This is performed as part of the rituals to worship
and propitiate godess Kaali, Before the actual performance,
the dancer erases the Kalam with tender palm fronds. The performer
in the role of Kaali is aided by 'Koimpata Nayar', the local
guide and Kooli, the attendant.
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